ltd 2010 repress !!! marco carolas string of recent releases on plus8 and his own 2m imprint are now effortlessly hurtling forward under the weight of their own momentum and the bloody cash ep shows no sign of relenting. in fact if its possible, this collection of four new combustible tunes adds another dimension to his already substantial repertoire. on the title track bloody cash, carola immediately shows his intent, letting fly with a spiraling tribal groove full of bright, crisp percussive elements that stretch skywards towards the sun. the tough, earthy beats keep everything rooted to the ground as he taps into some age-old hedonistic urge, creating a universal groove that rolls out across the oceans before breaking on the shores of each continent with an all encompassing call to dance. the main body of the track incorporates a straight synth stab doused in reverb that sets the scene for the finely crafted main keyboard riff, which is an accomplishment in itself. alternating between two complimentary parts, it elevates the backing track to another level. perfectly balanced and enhanced for maximum danceability, its without doubt one of carolas finest works to date

first on decks.de !!! fresh from the success of his recent release for uk label renaissance, solee readies himself to drop >legends<. a potential festival classic. its vast, expansive feel, matched with its cruise- liner horn riff and dreamy synths, create a true hands in the air, big top moment. on remix duty parquet have done us proud by drafting in palette recs. boss john tejada. the us legend reworks the original with his trademark tech-funk touch. the steroid abusing horn riff is more menacing than ever, and early in the mix works brilliantly alongside smooth, deep synth stabs. this is tejada at this best. monster-release! support by: joris voorn, motorcitysoul, james zabiela, fergie, paul ritch, nick warren, samuel l session, christian smith and many many more

acid and techno tracks from the files of mauser. he is straightup representing chicago techno that moves heads and dancefloors.
blackman: begins with a jazzed out acid house beat and progresses into a journey of ryhthms. the appregiated melody lines, bring out your inner jack as the acid lines sneaks up on you so sweetly. yes, i m jacking to the pulse with the four on the floor!
dancin: previously released on the digital only >jack pulse ep< (synapsis002), dancin is built on a melody line that constantly filters together with sparse sounds and vocals that say, dancin. what an acid banger, seriously you will start dancin.
binary: a video game synth is abundant in this track, mauser turns this sounds into a jacking melody. i m appreciating this chicago techno story. bounce, bounce, bounce.
regenerate: says, >time for the techno beatdown<. mauser shows us his love for techno as regenerate moves and bangs.

a dark bassline and classic synth stabs keep things moving along, with the occasional surprise of some classic 909 claps and shakers within. this tracks are crafted specifically for that moment during the party when the crowds minds and ears have combined with the djs master plan, and everyone is locked firmly in place ready for the ride. its a powerful heads down dance floor bomb that simply works.

after their magical 23rd digital release, polands elektropunkz label take their metaphysical musical offerings to the physical product for the first time with their debut vinyl release. this is a bee-stinging super sharp shooting yellow limited 1-sided ep with tracks from fotoplastikon, interfunk & loyal plastic robot. first to detonate is interfunks pacy bubbling claustrophobic >get up< electro wave workout. moving east is gdansks loyal plastic robot (who has previously released on bunker) with >italian bomber<, a string-driven track with italo layers and keys contrasting with a bassline smothered in darkness. last up is the euphoric symphonic majesty of fotoplastikons >misja profesora terbovena< – a dynamite piece of classic analogue italo-synth stylings with some ultra-funky keys breaking through to take you to outer space and the fitting finale for this first vinyl release on elektropunkz. limited release of 111 copies!

truly beautiful deep house records are things to be treasured, akin to proper songs that will last the test of time, not made to meet a fleeting fad. this is one of those records and a real pinnacle & departure for blm & pawas. although the term deep is an oft overused one, >waiting game< personifies the genres true key traits with a subtly moving groove that gradually builds, using layers of subtle percussion and a rich, warm synth motif to make a rich tapestry of sounds before finally introducing the beautiful female vocal that gives the track its name. patrice scott liked the track so much that he agreed to remix it - his first ever outside of his own, excellent, sistrum label. using plenty of the original track parts but taking it a different direction, patrice really has come up with something special. the track moves along with snippets of the main vocal and clever use of the main synth, the groove being underpinned by patrice s classic sense of production before moving into a more classic >detroit< ending - a mindset with a bigger, more dramatic sensibility

my guitar whales is the first single from paul whites sophomore album, paul white & the purple brain. a psychedelic stripped-down banger, it mixes an eastern-influenced organ hook, rock hard drums, fuzzy synth bass and delirious chanting to mesmerising effect. on the flip, the bright future twins a naggingly catchy piano refrain with tumbling drums and the quirky touches that give whites music so much character.

killer release from the hot utensil label. full a-side is under desardis landshark alias. quirky soft electro house with busy hi-hats and catchy synth hooks, flanged breakdown, flip and rithma adds the raw r&b acapella and twists it into a frenzied acidy ride with soulful bass, brothers under the light edit out a more traditional dub on the inside cut.

the latest release from relish recordings is from label boss headman. private show is the 2nd single from the upcoming headman album 1923. the synth filled dancefloor jam is the culmination of old school manhead with the modern headman trademarks - heavier basslines and big drums. the track features vocal great steve mason (man behind betaband/blackaffair/kingbiscuittime) who has set a somewhat deviant mood to the track with some smooth vocals, making this a track better to listen to rather than read about. private show also comes with remixes from relish new-comers tape to tape, who have come through with a two part remix of the track as well as a remix from gommas telonius

nice price deal !!! idiot is already something of a hit with those whove heard it being played out, combining hard soca drums with lush ecstatic melodic synth harmonies and a driving bass with a strange 8-bit melody that stumbles and trips around the rhythm. its completely alien at first, but potent enough to stick in your ears until you might catch yourself humming the refrain when you least expect it. a unique and fantastic combination of compelling contemporary sounds! altered natives, aka north london producer danny native, whose track >rass out< was one of 2009s best, takes over the b-side with a remix that seems to reflect 20 years of british house music back on itself. just using the bleeps from the original tune, he echoes and morphs his own melody over stepping dubby kicks and snares and a dark, driving bassline

frabon 04 support and play: richie hawtin - dubfire - paco osuna - tom novy - renato cohen - toni moreno - gel abril - el mundo & satori - mirco violi - mihai popoviciu - kiko martinez - edgar de ramon - neurotron - the glitz - rolando - someone else - greg delon - dj misk - moritz piske - yaya - agent! - ataneus - ben anders - lars wickinger - sebastian russell - larsen & marano - oliver markreich - toni d - arado - marco faraone - steve parry - molisans brothers - dan drastic - jorge savoretti - carlo lio - joy kitikonti - tim green - marco effe - markus homm - gino s - ken ishii - summed & dot - dj pierce - hanne & lore - half stereo

bear newcomer roberto auser has his debut album inbound on bearfunk. whilst we prepare for that gem to drop roberto has teamed up with fellow dutchman alden tyrell for their disco house hybrid blondes and brunettes. alden has had a series of fine releases on the clone and moustache labels, here he fuses his accomplished style with the electronic wizardry of roberto. each of them contributes a spanking remix. alden is tasked with dancefloor operations and he duly delivers with his 4/4 drums, rolling analog basslines and main room swing. roberto goes for the bar mix which tones down the swank but adds in slick percussion and analog stabs for a early set highlight. label chief bear stevie kotey contributes his own version. this time around the real drums and bass guitars have been sidelined in favour of linntastic drum programming and sequenced synth lines. the roberto auser album secret carnaval is out on bearfunk in spring 2010

long awaited lp debut from this oklahoma group, who recorded these tracks back in the 80s, but for whatever reason most of them never got released. especially check out the instrumental from >whos girl are you?< an incredible synth/disco track! a very good job has been done on the mastering, considering these tracks were mastered from an old cassette tape!tip!

femme fatale with audiofly remix of the longest day following the success of layo & bushwackas last release the longest day comes femme fatale plus an additional remix of the longest day by audiofly, stripped back but beautiful and haunting. the a side, femme fatale with its winding hypnotic synth and deep pads harks back to the birth of house music whilst maintaining that up front feel, the track began as a play around with some well known 80s music but then developed into a track of its own.

there are few artists these days who consistently succeed to focus their passions, talents and instincts into deliciously individual, melancholic, beautiful and timeless recordings. irish born donnacha costello is amongst the highest ranks of such artists. poker flat is proud to announce donnacha costellos new full length album, >before we say goodbye<. echoes of chicago house, detroit techno, and uk ambient techno flow through its futuristic core, as we find donnacha exploring further his love for deep, hypnotising grooves, rich synth themes and emotive harmonies. this vinyl version features four cuts taken from the long-player.

blimey! we thought we had fallen into a wormhole and woken up in 92! 2020 soundsystems enduring lp favourite and one of the live shows highlights gets put through the downtown ny meat-grinder by tbd. brought on board as prospective remixers after last years immense all ears distributed >what is this< the tbd duo have taken this one on a three-day bender across the big apple! sleep deprived and pounded into submission by unrelenting kick drums and dustbin lid percussion, not to mention enough growling synth action to satisfy the hungriest of addled brains, the two mixes barely made it back home to leeds alive! you have been warned!

following up his s soup plate with two slick dubby techno trax and a solid remix from eamonn doyle, captain baiyon is ready to kick your ass again, banzai! evening glow of a river brings a dreamlike quality to any clubspace. pushing the shuffle under a spectral vocal to conjour the mood of a haunted skyscraper. its a masterful synthesis of what could be called a traditional techno sound (the one d1 made a tradition of) and an undefinable lucid ambience. lupe carries on the mood onward in a deceptively gentle style, this one gets loud! a solid dub groove that keeps the pace until the intermittent breakdowns where it rips the sky open with a terrorising bubble synth growing like a raging blob monster to the size of a small moon. somehow eamonn doyle manages to tame the beast in his remix. it purrs along beautifully under his signature tamborines and jump strings and ends proceedings in a lush deep style. unmissable for anyone who enjoyed winter sun or come down on the music.

here we have it, the final installment of the >django< trilogy from the unstoppable dorothys fortress. kill django kill is not letting up, from the opening introvision skit (an old vhs company), right through to yul bryner inspired, westworld skit, dorothy is back on form with this stunning ep. kicking off we have >gekko<, and arpeggiated analog monster, hailing back to the early scored synthesis of john carpenter soundtracks. >firefox< is the answer record to the now cult >silencer<, which appeared on the first 12, with its driving basslines and retro synth leads, this is sure to hit hard when played out. next we have >neon cities<, the 808 / detroit inspired electro track, blended with a lo-fi italo disco sound ! finally the daddy of them all, >hell cat< delivers the chubbiest disco groove around, guaranteed to get you moving, or your money back (not legally binding)

belfast bad boys, jet project, are running their city at the moment. their recent slew of tracks on labels such as viva, darkroom dubs, as well as our very own get digital with the scorching hot >zuma<, have been getting them attention with djs great and small. chugging right along in very tastefully form, the lads lend their services once again to get digital. however, this time it is an e.p. all for themselves and deservedly so with hauntingly epic >understand this<. understand this is a clinic of how to mold proper song structure into dance music form. all the key elements are there: a discernible intro, strong vocals with meaning, and a proper breakdown that utilizes a whole new group of sounds. writing tunes like these takes knowledge, effort, and passion. the dub version strips the male vocal hook away, but leaves the snippets and effects from it in there. allowing the track to ride on its full bass line and warped synth patterns..

finally, the long wait is over! we are proud to present the first solo effort by leviste and its been worth the wait. three ultra varied tracks starting with the driving drums and bassline of >senioritis<. >better get used to it< shows off levistes melodic abilities with a beautiful melancholic epic. these first two songs really show what an important role leviste has played in the duos productions over the years. >change the station< rounds things out with a bit of modular synth experimentation over a jacking rhythm track.

beautiful elegic mid-tempo boogie tune by toby tobias similar in the style to his excellent >this feeling< release on rekids. comes with a loose funky take from hyped off key hat (dissident, untracked). flip over for more peak time action: >highway 24< is a bubbly, synth heavy modern disco tune while >highway 1< takes it in a more oldschool acid-house direction.

the three new songs from young prodigies martinez brothers featured here, >broke in the bx<, >wont somebody<, and the title-track, all come complete with the brothers trademarks—classic drum sounds, slow-burning intensity, and soulful melodies in their synth work.

a double welcome for zntn and shit robot new members of the astro lab familly, london based but comes from lisboa camp, after the photonz goncalo (zntn) is our second potuguese discovery, we are really happy to release his first ep on astro lab, >way back home< is just a crazy uptempo track, dancefloor oriented with some weird beats and synth.. just in order to do a fat release we asked shit robot to do his interpretation of the way back home, big fan of marcus work since long time, after solid remix of smd two amazing releases on dfa we are very proud to get him on board! as the original, his remix is highly recommended for big dancefloor!! already supported by optimo, ivan smagghe, tim sweeney and more! dont sleep - ultra limited as usual and nice artwork by mvdr.

on of the biggest anthems from synth-pop-disco-era, originally released in 1979. enter the disco-train to moscow!

two spacey, synth heavy house tracks from ron trent. the power of sound has found its way to the southport weekender and marquest wyatts deep la. its full of vocoder and sound effects. space ship is a new track full of transcendental percussion and sweeping synth lines.

one of the uk leading purveyors of funky, underground and cutting-edge house, burnski steps up to bat once again with >me and you< - his latest 12 inch for dessous. after recent outings under steve bugs poker flat imprint, as well as an amazing remix of gamal kabars >4 lally< on the new poker flat digital platform, our man continues his story with 2 up-front originals house cuts dripping with class.
trickling, throbbing and swirling around an excitable voodoo house percussion track, the haunting vocal snippets and midnight synth hooks of >me and you< combine and build to a veritable crescendo. understated, cool and collected, its a mature track that finds its roots firmly in the tech-tribal house patch, yet reaches out in the beyond with freaky, funky vibes throughout!
>the light< kicks off with a suitably burnsksi-esque groove, slowly unfolding into a jacking, bouncy and fresh classic houser. airy, playful and glistening with the morning sun of a new day, the track doesnt let go of the night however and makes for a real late-doors burner. no-nonsense quality house music for those who know.

taking a look back on the life of nima gorji, one must quote that this man truly is an international freak in music! so who else should be more predestined for releasing on international freakshow than him?! the two tracks nima gorji presents to us on this record define themselves as a crispy, warm and trippy kind of no-shit-techhouse with a twist! sometimes, the title-track is building up its hypnotizing power carefully, bringing the dancers tension to the maximum level! after summer on the flipside shows a proper, strongly & well structured techhouse-beat combined with subtle, deep and warm synth sounds and its bassline is playing games with the spooky vocal samples and effects nima gorji uses as perfect as it gets throughout the whole tune

tribaler techhouse mit 80s synth sounds... funktionales dj futter

dj mika is on a roll with his straight up no nonsense techno bangers. techno with a funky drive and bassline, this is what we need. labelboss mika invited two big artists to back him up for this release. roman zawodny comes with a great techno track full of big noises, a catchy synth and the bass fitting perfect in there. tadox on the flip is the 2nd guest to step up and he also delivers in style. another great 4 track ep on the quality label innervate!

hyperdub has long been a fan of grime don terror danjahs razor sharp productions, his unparalleled, skittering rhythm science, deadly riffs, brilliant technicolour synth squiggles, gremlin cackle signature and general ear for a catchy tune. on this first ep for the label, he showcase two strains of his many skills. acid cranks up the energy, with an ascending synth crashing into stuttering drums and synths. they play hide and seek with each other for a bit, before the track unexpectedly breaks into a 4 / 4 house rhythm, and then shatters into pieces again. on the flipside, pro plus, terror is joined by long time collaborator d.o.k for a slice of their classic sound - an infectious, twisted sickly sweet synth melody wrapped around syncopated, stop start drums to mean effect.

supported by sian, loco dice, hot chip/ felix, john digweed, dubfire, todd bodine, derek miller, deepchild, goldfish + der dulz, mihalis safras, orde meikle, heiko laux, ktantin gabbro, toni d! yes, dominik eulberg is one of the few techno artists from germany who composes music out of a whole range of classical elements such as melodies, analogue synth sounds and a worthy treasure of self made elements. in dominik s world there is still place for romance and dreams opposed to the hard realism of the techno world and the music made on demand. so we were happy when we found in rodriquez jr a remixer who was able to connect dominik s world with his own world, keeping the gentle touch of the original but adding a quirky and lively element to it. if there is something like a perfect remix, this might be it!

their debut perc trax release opens up with noson, a track which perfectly demostrates their sound, with tough but clear 909 drums underpinning a dubbed-out industrial soundscape that continually evolves as the track runs its course. on the flipside comes the 2-part indifference. part 1 featuring intense echoing synth stabs over clipped drums whilst part 2 goes deeper, but still with enough muscle to work in the sets of most djs. watch out for donor / truss remix of forward strategy group, coming up on perc trax in early 2010.

exciting synth disco by roland sebastian faber. mr faber deivers some high quality timeless synth compositions as we heard from him before on this lovely cult label aube records! mr faber produced music for many wellknown pop arists and this is his personal fetish project that gives him the space to go crazy on his analogue synth collection and high end studio gear. comes with beautiful artwork of emi schultz (kraftwerk designer)... this is one of those releases that will not create a big stir among hype press and blogs... but most definitely it will make many people very happy! a great piece of electronic disco, 70s french synth pop. great artwork, limited edition of 300, high quality 180 grams vinyl! future collectors item!

boys noize new album power has been released in october 2009 and already got massiv support across all genres. >transmission< is the 2nd single out of power, its static unheared synth sound, it s robot voices (you are neutron because lazor transmission) on a breakbeat gives you a feeling of josh winks early hit >higher states of conciousness< going to bed with kraftwerks sound aesthetic and robots on a 2010 afterparty. this release includes a dream package of remixes and also a video to follow shortly after.

the bold and futuristic year of 2010 sees the release of >werkschau<, an unmixed compilation that gathers together a hand picked selection of the producers favourite cuts. the music stands for all that he loves, and what he loves he puts on show! summing up the landsky sound, and looking back over the years one cant help but feel a deep underlying quality emanate from the music. like subtle, mature flavours running through a well-prepared banquet. this special ep, capturing three choice tracks from those on offer on the compilaiton, includes some of our favourite landsky material, re-visited. firstly the seminal >1000 miles< is re-interpreted and brought up-to date, with landskys >2000 miles<. a strong driving powerhouse of reduced acid signals and hypnotic synth phrases, its the sound of martin landsky, future, present and past. a real deep running story of a track, >naked< is rich with thick bass and phasing, tripping chords, running percussion and growing tension that never ends. fitting to any occassion, the track was originally released on landskys own intim label and sounds as fresh now as the day it was released. tying things up the taught, tense and grooving tones of >monitor one< sail through. this futuristic house cut revolves around a staccato bass hook that drips with funk, echoing of landskys dj history that began before house was ever invented!

kicking off at least we can dance is an extended dj friendly version of the original track, featuring production from the dp team of sharp and zed bias. this extended cut is dekata project at their soulful house best, with heavy beats, jazz keys vibes, horns, funk undertones and soaring hook lines. on the remix tip, check out the heavy hitter nu:tone, with his high energy drum and bass take on the original, dripping in heavy basslines, intricate beats and synth builds that make you want to dance the summer away into the early hours. currently causing a stir in all dance music circles as one of the main instigators and contributors to the hype and buzz that is the uk funky scene, roska steps up with his cant stop dancing mix. using broken beats, garage, grime, dance hall and house vibes, roskas unique sound has critics and compilation makers hailing him as the new sound of londons dance scene, having recently featured in the guardian and mixmag.

after its first release rework closer moved bass cadets and techno heads alike, the label returns with some fearless offbeat pressure in round two. a side sun touch aint about cherishing the first sunshine in springtime – rather like a fierce ray of light hitting you right in the eye, darkening everything for a moment. killer broken beats, rumbling subs and a gloomy atmosphere run the program until a nasty acid line takes over and funks things up even further. drain on the flip continues where closer (ams01) left off, the warm synth blanket this time appearing as a melancholic drone sequence over beats syncopated to the max. bonus cut untitled is the 2006 original of a tune bass music heads will be familiar with by now... beats from the machines, heartfelt lfo’d chords and arpeggiated bleeps round off this uncompromising twelve.

adultnappers original mix of monitor is a minimalist, atmospheric house outing with warm, evocative piano chords. percussive and synth soundscapes wash over the groove adding a stylish textural dynamic. conversely, mkl vs bgss (members of the group brazillian girls) step onto the scene with a live, organic funkafied jam that steps skillfully through afrobeat and retro disco/funk territory without missing a beat.

with accumulated success of the first installment from us based fragmeted audio, the highly anticipated second release arrives after a brief hiatus.
featuring the title track from las kj gibbs (i.e. apendics shuffle) and remixes from berlins dilo and berkeleys j. tonnissen (i.e. davros, praxis), this release is a full-on hypnotic sensory exploit into mind twisting late night techno. kj gibbs delivers a shuffled up head-spinning funk jam laden with precise hits, live acoustic samples and heavily modulated effect work. taking a slightly deeper approach, dilo offers up a much more subtle journey through deep hazy loopy drum bits, morphed vocal hauntings and a progressive yet solid drive. completing the mix, label boss j. tonnissen kicks it up a notch with a monster low-end bassline, menacing analog synth loops, clever vocal edits and huge floor power.

after their great debut >motzbaz / indeed< on afao recordings and the following 12inches >hello kool nice< and <langenthal ep< on quintessentials recordings, which found its way into the bags and charts of djs like quarion, laurent garnier, jimpster and many more, jagged strikes back with a 12 on bonzzaj recordings. this single also contains a hot remix by the dutch multi-talented man aardvarck, one half of the rednose district. jaggeds productions are restrained and minimal in the right way - they doesnt let things get overloaded. they focuses mainly on straight beats and functional house music but always with the right ingredient of soul and rawness. the title track ten to twelve is a heavy cut with a lot of disco influences, funky basslines, cool house-grooves and surprising changes all over the track. the remix of ten to twelve comes from aardvarck, who releases on rushhour, kindred spirits and delsin. he transformed the original in an broken beat stomper, which sounds like it emerged straight out of londons co-op. the b-side contains chicago, a deep house number with forward going percussions, warm strings, oldscool-house-vocals and a slight acid flavour and last but not least the track an orange drippin, which takes you with its deep synth, percussions, basslines, bells and things in the deeper shades of…jagged nation. hot shit gesundheit

gui boratto keeps on giving with these three brand new tunes - a true statement of the tremendous talent he continues to bring to kompakt. he bumps up the bass adds a vocal chorus and teleports the original into a new stratosphere. telecaster is a dark and deep floor leveller. the glam is a rocket - elemental percussions play with a low end synth ride that rolls with a menacing delivery but certain to lay devastation on any dance floor.

boys noize new album >power< has been released in october 2009 and already got massiv support across all genres. >transmission< is the 2nd single out of >power<, its static unheared synth sound, its robot voices (you are neutron because lazor transmission) on a breakbeat gives you a feeling of josh winks early hit >higher states of conciousness< going to bed with kraftwerks sound aesthetic and robots on a 2010 afterparty. this release includes a dream package of remixes and also a video to follow shortly after. well respected electronica producer mr. oizo (ed banger) does what he can do best by twisting the original to a serious moment of a firecracker, tiga takes the main idea of the original song and turns it into the perfect 4/4 banger, bnr s super talented djedjotroic delivers 2 remixes: 1 acid drivin shot and a big room techno dub for friends of len faki or dubfire. with the untold remix (hessle audio) you probably get dubstep s most interesting producer bringing an epic dubstep version. last but not least you get a real deep techno remix by the techno master himself: james ruskin (bluefin rec). resident dj of berlin s berghain delivers a top of his class techno mix.

well known for her electrifying panoramabar sessions, representing her love for all things deep, sensual and musical about house music steffis talent has blossomed out of her relationship with the musically entwined cities of amsterdam and berlin.
her touching, classic-jack inspired productions continue to gracefully bubble towards the international surface with this 12 inch. her debut cut for the label, >24 hours<, featured on tama sumos >panoramabar 02< compilation set out her production intentions quite eloquently. >kill me< continues the warm, traveling night-time vibes and opens steffis signature sound up into a full vocal-led celebration of house.
besides steffis killer chicago inspired throb and moody melodic structure, >kill me< features the sultry vocal talents of close friend elif bicer, also recording partner of label mates prosumer and murat tepeli. elifs tender and instinctive story of a love lost and found flows honestly and creatively throughout the vocal version. an instrumental dub is also included for the creative use of the dj.
steffi also shows off her skills with the >crushed soul< mix, allowing her intuitive, sentimental yet dancefloor tuned chord progressions to flow stronger. baassline led and focused on clean, precisely measured beats and synth lines to tell the story, this alternative version goes even further to suggest what treats are yet to come from this talented producer.

third part of the vinyl 12&#8243,, compilation series of selections from the mathematics label from chicago, israel and italy. includes a bubbly 80s synth-heavy banger by slava, a heavy synth composition by argaman that pays homage to wendy carlos, and a spacy house jazz fusion track by i.f.m.

rinse fms breakfast show host, dva is a producer with a unique take on the uk funky bug, blending the stiff 8-bar funk of grime with a super-supple rhythmic sensibility, sewing neon colours with a laid back precision into his tracks. >natty< is a prime example, drums stagger like they are about to topple over, squelchy bass synths lock together a tough tribal drum pattern, liquid metal trickles around in the mix, and these contrasting elements react with explosive results on the dancefloor. on >ganja<, a cartoonish ring-tone-friendly synth melody worms its way around tight soca-esque drums and housey organ stabs. factor in the depth-charge 808 subs, steel drums and sparingly used ragga chat and you ve got a technicolour hyperdub debut fresh for 2010.

supported by: jimpster, shur-ikan, scope, lovebirds, roy davis junior, paolo mojo, sasse, tiger stripes, chris duckenfield... two german underground house legends collide on the latest offering from pooled music. ian pooley teams up with matthis vogt (one half of motorcitysoul and a solo artist in his own right) for a masterclass in deep house grooves. aviator combines melodic and lush synth stabs with a solid percussive backbeat for a heavyweight deep experience. pooley adds a solo remix here, stripping it back to the raw with a tech funk workout.

roberto bardini is a deep techno producer from turin (ita). he is amongst the few enlightened producer/djs who declared independence from the current minimal-techno mainstream. his musical approach is by all means deep, and through this he casts his vision of a more mature and alternative dancefloor.
well known alongside labels such as shyan music and plastic city, in 2007 starts a collaboration with eclipsemusic and this is his second apparence named >new perspectives ep< features a slow-motion deep house vibes especially >through together< amazing synth texture running on pads pattern in classic robs style deep as the ocean, music with soul and appropriate track for sunset landscapes and beach time dancing, the titletrack >new perspective< is more techno oriented production with dub style chords and raw clipped bass, a new form of dub techno music better for dancefloor situations. rob confirms himself as a innovative deep man walking!

way ahead of its time and quite incredible to imagine such a modern sounding record could have been made so many years ago... this cult new wave/dance cover of the doors classic was taken off the first of the two long players that la synth band moebius (not to be confused with german electronic maestro... dieter moebius of cluster and harmonia fame ) released on moonwind records, 1979-1980.

rob bellevilles 4 track ep for adepth audio is his first vinyl release, following previous releases on the schall netlabel and paul macs digital label sulamuse. the 3 original synth-driven tracks on this ep are a perfect example of robs capability to produce epic-sounding tracks which are deep, soulful, energetic, and dancefloor-friendly.
german techno producer arne weinberg chose to remix the title track sounds of introspection and has delivered a version with a perfect blend of the original tracks main elements and his own beloved signature sound.